It is thought that the origins of the shrine were contemporaneous with the emergence of Mine-mura, the present-day Mine-machi, around 1535. Until the late 1820s it remained very small, the Shin-pen-Musashi-Fudo-Kiko mentions a small hokora in the area. Around that time there was an ascetic, Issan Gyōja (一山行者), who had been subjecting himself to strict austerities on Mt. Kiso Ontake in Nagano-ken. One night he had a dream in which the kami of the three Mitake Jinja told him to leave the mountain and, while preaching the word and trying to alleviate human suffering, head towards Edo where, about 12km from the city he would find a place to which he was tied by fate. He did as the kami bade him and the place he found was the hokora in Mine-mura. Through the kanjō/bunrei process he enshrined the Ontake deities there and under his spiritual guidance the shrine thereafter grew by leaps and bounds. In 1831 a new main hall of about the same size as the present one was built. Among the faithful who flocked to the shrine were many wealthy merchants and it seems they were quite generous with their donations. Other people who came to the shrine in large numbers were followers of the Kiso Ontake mountain cult living in Kantō and this situation continued until WWII.
Kuni-no-tokotachi-kami (6) 国之常立神
From Merged Shrines
Toyo-kumono-kami (7) 豊雲野神
Issan Jinja 一山神社
Ōtori Jinja 大鳥神社
Shichifuku Inari Jinja 七福稲荷神社
Earliest mention of: 1535
Annual Festival: Sept. 17/18
There seems to have been a saying that three visits to the shrine were equivalent to a visit to Mt. Kiso Ontake itself.
The visually most interesting aspects of this shrine are the carvings on the main hall done by Fujiwara Tokuoki (藤原篤意), about whom very little is known, suggesting that this is the only remaining example of his work. Behind the main hall at the rear of the shrine is the Reijin-no-Mori (lit. Forest of the Kami, 霊神の杜). This contains 30 large stones on which are engraved the names of the kami of the Kiso Ontake shrines and of the various groups involved in their worship.